Garritan's intended use of the synth is daunting too, it's designed for each and every player to be manually controlled. It might just be my technique, I have only been using for a year now, so I could be wrong. Brass feels very unimpressive, but the solo woodwinds and such are great. I find that it can feel very wimpy, but it is excellent for smooth sonorous passages.
#Ewqlso dfd software#
The software triggers this "release trail" at the end of every note and adjusts the dynamics so that the samples blend seamlessly, truly placing the listener in the hall with the orchestra.Course I use GPO and Abadoss does too I believe. EastWest & Quantum Leap accomplish this through separately recording the natural hall ambience after the instrument has stopped playing until the sound has actually ceased. In the past, this meant adding reverb and effects, further digitizing and degrading the overall quality of your music. With the typical orchestral composition encompassing a large amount of instruments, EastWest 's PLAY software will streamline the process by allowing many more instruments to be loaded at one time than with previous systems.īeyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. Now with the incorporation of PLAY, users of the upgraded EastWest Quantum Leap Symphonic Orchestra Platinum Complete PLAY Edition will experience the benefits of the new sample engine immediately. Get that big "Hollywood Sound" film/tv/games directors and producers seek "out of the box", no other orchestral collection comes close or is as easy to use! Symphonic Orchestra has already come out on top in a recent roundup of orchestral collections for its level of warmth and detail. The EastWest Quantum Leap Symphonic Orchestra Platinum Complete PLAY Edition eclipses all others with the highest level of fidelity and realism.
This eliminates the need for artificial reverb. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor`s position) and hall.
Completely re-programmed for PLAY from the original recordings Silver to Gold to Platinum to Platinum Plus compatibility streamlined
#Ewqlso dfd pro#
Original and Pro XP expansion combined into "complete" PLAY version
#Ewqlso dfd install#
Licenses included to install each section on multiple computers (Platinum and Platinum Plus, ilok required for each computer) Stereo image editing now possible using channel sourcing Hi fidelity one pole filter for natural cross-fades Improved sound quality with high-resolution audio engine Release trails unaffected by mod-wheel cross-fade programs, radical mod-wheel movements do not degrade release trails Intelligent release trail engine that follows the note-on samples volume at all times, so release trails always match
Convolution includes hall orchestra was recorded in for additional control of hall ambience State of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all instruments in an instance Switch able 24-bit/16-bit depth (Platinum Plus only) On screen mic position mixing (Platinum and Platinum Plus only) Improved articulation window and controls Intelligent Performance section including Portamento, Repetition, Legato, Round Robin Reset Full memory access MAC (requires 64-bit MAC)
#Ewqlso dfd Pc#
64-bit* with 32-bit compatibility PC (*see system specifications) Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, and the only orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform.ĮastWest Quantum Leap Symphonic Orchestra Platinum Complete Features Recorded by 11-time Grammy nominated classical recording engineer Prof.
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